Integrated Pest Management

Look for bagworms toward the end of the month. Early detection is important; caterpillars are cleverly disguised and can quickly defoliate plants before they are noticed. Bagworms prefer evergreens such as arborvitae, cedar, juniper, and pine. Tap a branch over a sheet of white paper; look for small, green caterpillars with a small cone of plant debris attached to them. As they grow, they enlarge this cone until it is two inches long. Fully grown caterpillars anchor the bag they constructed to a branch before they become adults. Females fill their bags with as many as 200 eggs after they mate. Hand pick the bags before the eggs hatch to prevent damage. Remove the tough silken threads attaching the bags to the plant. If left on, they can girdle the branches as they grow. Spray infested plants with Bacillus thuringiensis as soon as the caterpillars hatch if bags are too numerous to remove.

Don’t overfertilize your plants. This practice encourages aphid populations which feast on the tender, new growth that results from the abundance of nutrients. Heavy, frequent fertilization usually results in nitrate contamination of ground and surface water as well.

Be aware of your plants’ watering needs during periods of drought. Plant roots, particularly those of shrubs and trees, extend one to two feet below the ground. Deep, infrequent watering is the best approach. This can be done by laying a hose at the base of your plants on a slow drip or programming your automatic drip system to run for an extended period of time at infrequent intervals.

Watch for signs of Seiridium canker on your leyland cypress. Increasingly popular in the southeastern states as a fast growing windbreak and privacy screen, this hybrid evergreen can be easily stressed by prolonged drought or extreme cold, making it susceptible to canker. Watch for signs of resin oozing from cracks in the trunk or branches, dark brown to purplish patches on the bark, and yellow-brown foliage above the canker. Keep plants healthy and vigorous. Aside from adequate moisture, leyland cypress need at least 15 feet of space to minimize competition with other plants; existing plantings can be thinned by removing some of the plants. During drought provide deep, infrequent watering and avoid overfertilizing. Prune wilted or discolored branches or tips, cutting back to a healthy part of the branch. Severely infected trees should be removed and destroyed.

Keep an eye out for a new scale that has been attacking spruce and other conifers. Fiorinia japonica, a scale similar to the more commonly known elongate hemlock scale, has been found in increasing numbers in the Eastern U.S. The males are white and the females are tan or grayish with a dark area in the center. Crawlers begin emerging in May and continue to emerge sporadically through September. Avoid using chemical pesticides to control this insect which will harm beneficial insects. If control is necessary, use horticultural oil when crawlers are present.

Keep algae growth down in your garden pond. Too much light and excessive nitrogen and nutrients create conditions for algae to flourish. Sources of nitrogen include fish and other animal wastes, uneaten fish food, and decaying plants. Provide your pond with good plant coverage to filter out excessive light and avoid overfertilizing the plants and overfeeding the fish that inhabit the pond.

Monitor your conifers for the presence of spider mites. Mites have piercing mouth parts and their feeding results in a stippled appearance on the foliage. Beat test plants by tapping the plant over a white sheet of paper. Look for small green, black, tan, or red mites about the size of a speck of pepper. More than 20 mites per beat may indicate serious damage. You can remove the mites with a jet of water from the hose or treat plants with horticultural oil. You can also buy predatory mites and release them to feed on the pest mites.

Earl Hubbard: The Flat Reality

“Until the advent of the photograph, the mainstream of Western art was intentionally figurative. Photography reproduced figures more successfully than art, potentially a devastating blow to art. Some artists reacted by seeking to redefine the purpose of the figurative as the representation, the emblem, of feelings. Other artists point blank rejected the concept that the figurative was the intention of art, and declared that the intention of art was to be non-figurative. They said art didn’t represent anything outside itself-art is for art’s sake.

For a hundred years artists working in the shadow of the photograph have consciously tried to do what a photograph can’t do, even as the photograph was evolving the capacity to do what the artists were doing. Unconsciously, in fighting the photograph, artists were learning to see in ways artists had never seen before. Primarily, the photograph radically altered how artists see foreshortening and perspective. In effect, photography flattened the image of reality. Without the photograph, there never would have been Impressionism, Cubism, Expressionism, Surrealism, Abstract Expressionism, ,and so on.

One can say that the last one hundred years have been a period of Research and Development in the techniques of art.

This period is now over. Art has now passed over the wall the photograph represents. The challenge is to know what comes after, or beyond, or on the other side, of the photograph. The anatomy of the new art is pattern. There is no foreshortening in pattern. There is no perspective. There are only two dimensions, the dimensions of pattern. Technologies developed over the last hundred years offer to the artist a treasure trove of techniques with which to express his/her view of the new art.

This period is now over. Art has now passed over the wall the photograph represents. The challenge is to know what comes after, or beyond, or on the other side, of the photograph. The anatomy of the new art is pattern. There is no foreshortening in pattern. There is no perspective. There are only two dimensions, the dimensions of pattern. Technologies developed over the last hundred years offer to the artist a treasure trove of techniques with which to express his/her view of the new art.

The art of the last century hasn’t, however, altered the intention of the thousands of years of art that preceded it. Art seeks to affect the viewer.How does the artist of today fulfill that figurative intention? How does the art of today rejoin the mainstream of Western art? That’s the question I seek to answer.”

“Art is as native to the parcel of earth on which it is conceived as the vegetation that naturally grows there. One culture does not transplant to another culture. There are Italians in America but no American-made Italian art. And though we were originally formed as a nation by transplanted Englishmen, we have not produced another English Shakespeare. As potatoes and tobacco are native here, so are comic strips and jazz. As corn is All-American, so is the American movie.

And, as the potatoes, tobacco, and corn plants that were originally weeds through cultivation have become the staples of life we now know and grow, so it is with culture. Native cultures are cultivated from weeds that originate as folk art. Jazz, the comic strip, and the movies are the cultural weeds, the folk arts of America.

Where previous cultures have had folk tales, Americans have movies. The movies of the l930s, l940s, and early 1950s, are folk tales. As folk tales, they deal with the struggle between right and wrong, good and evil. As folk tales, they tell us, Americans, who we are. I, who grew up as an ardent member of the movie generation, have been painting the faces of some of my favorite stars of those early films.

What is distinctive about those faces, what is in fact their star quality, is their reflection of the then American perception of itself as a God-given manifestation of inviolate innocence.”

Art deals with concepts of reality. The last great concept of reality was introduced in the Renaissance. It was the reality of matter. The most influential architect of the three-dimensional reality was Leonardo da Vinci.

The stuff of our 1994 reality, the reality of this Computer-Space-Age, is not matter but ideas. The visualization of an idea is pattern. As a matter of fact, we don’t see three dimensions. We see patterns.

The new anatomy of art is that of pattern.

The evolution of my art has been the evolution of the use of pattern in an effort to picture the reality of our time, Mind.

Butter Beans to Blackberries

A cookbook that puts you on the front porch, snapping beans, sipping iced tea, and waiting for your peach cobbler. In this definitive cookbook, Ronni Lundy draws upon her Kentucky mountain roots and on the recipes and food passions of the fellow Southerners-from home cooks to a new generation of professional chefs-she met in her extensive regional travels.

Lundy cooks her way through the bounty of the Southern garden, from succulent purple speckled butter beans and lady cream peas to corn and greens, muscadines, Georgia peaches, figs, mayhaws, and watermelon. She visits farm markets and festivals, finds heirloom-seed growers, and provides mail order sources for everything from sweet-potato chips and “old-fashioned whole heart” grits to fiery-orange HoneyBells.

Check out an excerpt from the book:

It was likely June when Faulkner and Porter had their historic conversation. At least that’s when the butter beans, the speckled ones, come in around Mississippi, Faulkner’s home. Wylie Poundstone, the chef at King Cotton Produce Company, a combination produce market and restaurant in Montgomery, Alabama, says, “It takes awhile for butter beans to grow, but if the weather cooperates, we can have them from June right on through the fall.” Bob Gulsby, one of the four owners of King Cotton says, “As long as we’ve got ’em, we’ll ship ’em fresh to anybody who wants to order.”

Those who do are often transplanted Southerners longing for the taste of a vegetable as common as July fireflies where they grew up, but hardly known elsewhere. My experience has taught me that asking for butter beans north of the Mason-Dixon is apt to get you a bowl of thick soup made from very large, dried lima beans. It’s tasty, but a bit on the brackish side and doesn’t have the sweet, creamy flavor of a Southern butter bean at all.

The term “butter bean is used to refer to lima beans, which fall roughly into three categories. First it refers to fresh limas, with the most prized being those with beans of the “baby” variety-small (about the size of your thumbnail) and very tender. Such beans can be found “throughout the United States either fresh (in season), frozen, or canned.

Second, a distinction is made in many regions of the South between this already small lima bean and even smaller ones. These smaller beans may go by different colloquial names. They are known as butter peas in the Montgomery area but may be called “sieve” beans in other parts of Alabama or the South. This is also the bean prized as the “savvy” of Charleston and the surrounding Low Country area of South Carolina. Joe Kemble, assistant professor of horticulture at Auburn University, says the common names are a corruption of the more proper name, sieva bean. Sivvy beans are prized for their sweetness but, alas, don’t ship well.

Third, the speckled butter bean is a variety of lima with a colored, mottled ,skin-usually a deep purplish brown and green, or black and green. Speckled butter beans have a creamier texture and more buttery flavor than their green lima cousins. 1, like my mother before me, watch religiously for speckled butter beans in the very brief period in the summer when they may show up shelled and fresh in the produce department of local supermarkets. Although the farmers in this part of Kentucy don’t grow them commercially, speckled butter beans are a summer staple in farm markets throughout the deeper South, and if you drive the noninterstate highways in June, you are apt to see hand-lettered signs on the side of the road preferring “fresh speckled butter beans-just in.” Most commonly, though, I come by these beans frozen, and sold throughout the year at supermarkets here. They are very nearly as tasty frozen as they are fresh.

Like sieva beans, speckled butter beans sometimes go by colloquial names. For instance, Wylie Poundstone says lots of folks around Montgomery call them rattlesnake beans. And elsewhere a lima variety with cream and maroon speckled skin is called the Christmas bean.

Technically, you can interchange the more widely available baby lima beans for the speckled butter beans in most recipes, but the flavor will be different. All of the beans are delicious, however, and, as Wylie says, “You can do so much with them. They’re some of the most versatile vegetables in the Southern kitchen.”

Remember to go easy on seasonings when you cook butter beans, since it’s the beans’ own subtle flavor which you want to emphasize.

Classic Southern Butter Beans
Serves 6 to 8

This is the fundamental recipe for fresh shelled butter beans. If you’re accustomed to limas cooked in very little liquid (seasoned with a pat of butter and dash of salt on the way to the table), this may seem like a lot of water for cooking, but you want the dish to yield some sweet pot likker to be sopped up by Real Cornbread (page 103). If you’re eating Low Country-style, serve the beans over rice.

2 quarts water

1 ham hock

6 cups (about 2 pounds) fresh shelled baby lima or speckled butter beans

salt

In a large pan, bring the water and ham hock to a boil. Cook, partially covered, at a low boil for about 30 minutes, to season the water. Add the beans and bring the water back to a boil, then turn down the heat and simmer, partially covered, for 30 minutes to 1 hour (see The Time It Takes, below), until the beans are tender and creamy inside. Remove the hock and add salt to taste. Serve immediately or keep refrigerated for 2 to 3 days. Reheat thoroughly before serving.

Note: Frozen speckled butter beans or baby lima beans may be used. When you add them to the water, use a wooden spoon to gently break apart clumps.

The-time-it-takes

Southerners cook butter beans anywhere from 30 minutes to a couple of hours. The choice depends somewhat on the size and freshness of the beans (the larger or older they are, the longer they take to reach tenderness). Some folks like butter beans just at the point when the inside is tender but the skin still pops when bitten. Unless you are making a salad or relish with the beans, I think that’s missing the point. Perfect butter beans are cooked until the insides are quite creamy-the reason for the ‘butter’ in their name.

In most of the recipes for butter beans here, you will find estimated cooking times with a wider variance than is usual in a cookbook. Experiment until you discover what degree of tenderness you prefer, and be aware that even the same type and size of bean will take a different amount of time to cook from one batch to another, depending on the freshness of t e beans. If you want to serve butter beans for a dinner that requires precision timing, cook them to doneness a day or two before, refrigerate them, and reheat thoroughly at serving time.

Jerry’s Speckled Butter Beans
Serves 4

My mother loved to cook frozen speckled butter beans in the winter when their rich, creamy texture and nutty flavor were salve to the soul. We made many a meal of these beans, her mashed potatoes (page 171), and Real Cornbread (page 103), and thought ourselves supremely well fed.

2 cups water

16-ounce package frozen speckled butter beans 2 tablespoons butter 2 tablespoons half and half salt

In a pan with a lid, bring the water to a boil and add the butter beans, stirring gently with a wooden spoon to separate. When the water returns to boiling, reduce the heat, cover, and simmer for 30 to 35 minutes, until the beans are tender. (You may need to add a little water near the end of the cooking time to keep the beans from sticking, but you want most of the water to cook away.) Add the butter and allow it to melt, then add the half and half and stir. Cover and simmer for another 5 minutes, then add salt to taste.

Speckled Butter Beans and Country Ham in Lemon Veloute
Serves 6 to 8

I never thought I’d taste a dish with butter beans as blissfully perfect as my mother’s, but this one is its peer, with a velvety texture and the perfect marriage of complementary flavors in the beans, tart sauce, and tangy ham.

Butter Beans

21/2cups water

5 cups fresh or frozen speckled butter beans

1/4pound country ham with fat removed, cut in small pieces

Lemon Veloute

11/2cups chicken stock

3 tablespoons butter

3 tablespoons flour

2 tablespoons freshly squeezed lemon

juice

salt

In a heavy pan, bring the water to a boil and add the butter beans. (If using frozen beans, use a wooden spoon to gently break up clumps.) When the water returns to a boil, turn the heat down and let the beans simmer for about 45 minutes, or until the skins are tender and the insides creamy, and most of the water has boiled off.

While the beans are simmering, make the lemon veloute’. In a small pan, heat the chicken stock. Fill the bottom of a double boiler with water, and bring to a boil. Meanwhile, in the top of the double boiler, set directly over low heat, melt the butter and whisk in the flour. Cook, whisking, for five minutes, then slowly whisk in the hot stock. Place over the boiling water and cook for 45 to 50 minutes, stirring occasionally to keep a crust from forming on top.

When the beans are done, add the country ham pieces and cook until the ham is just warmed. Meanwhile, remove the veloute from the heat, add the lemon juice, and salt to taste. Remove the beans from the heat, pour the velout6 over the beans, and mix well. Serve immediately.

Steam Beans

If you should luck upon a crop of fresh sivvy beans or butter peas still in their pods, and they are truly fresh and very young, you may want to try something my friend Don Nobles of Montgomery, Alabama, recommends: ‘I’ve had butter peas steamed still in their little pods when they are very, very young. Just steamed for a few minutes until they’re tender, and then served with salt and butter They’ve a flavor in between an English pea and a snow pea. Truly splendid!

Copyright © 1999 Ronni Lundy